Showing posts with label post-punk. Show all posts
Showing posts with label post-punk. Show all posts

Friday, 22 May 2015

Bloc Party - "Banquet"/"Staying Fat" (2004)

A true anthem of the previous decade, “Banquet” could be described as the Bloc Party tune. While their other songs from this era might stand out for lyrical quirks and emotional insight, this song has the band’s most recognisable guitar riff. The gripping drum intro and Paul Epworth’s electronica-tinged production are really distinctive features on Silent Alarm, while Kele resembles a young Robert Smith as he laments girl problems. Here's the original video (there was a glitzier one for the 2005 re-release).



Wednesday, 13 May 2015

Joy Division - "Transmission" (1979)

Now this is some proper dreariness. It’s been said that the atmosphere of Joy Division gave rise to early goth rock and on “Transmission”, as you’re drawn in by Ian Curtis’ unsettling baritone delivery and a devilish bassline from Peter Hook, you can’t help but feel that this song is nothing if not dark and desolate.


Monday, 11 May 2015

The Chameleons - "In Shreds" (1982)

While not dealing in gloom and despair to the same extent as some of their peers in the early ‘80s, there’s a fair bit of anguish to be found on this early single from The Chameleons. While the trademark dreamy guitars have a part to play, “In Shreds” is won over by some raw punk energy and angsty lyrics from the brilliant Mark Burgess.



Saturday, 16 July 2011

The Chameleons - Strange Times (1986)

You may not have heard of The Chameleons, but you’ll know their sound. Are you a fan of Interpol? Editors? Or, errr, The Killers? These bands, among many others, have been influenced by the post-punk quartet from Manchester.  If atmospheric songs with echoing guitars and dark, humour-tinged lyrics are your thing, look no further than Strange Times.

The album begins with the anthemic “Mad Jack”, an upbeat ode to that one friend you have who can’t keep out of trouble. With an addictive guitar riff and some beauties from lead singer Mark Burgess (“He holds the night/Walks in shadow and avoids the light/Masturbates the madness in you!”), there can’t be many opening tracks that are better at drawing you into an album.